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Dinko Tucakovic,
the Serbian filmmaker, writer, critic, program director of the Belgrade Kinoteka, passed away, aged only 52. Borislav Andjelic remembers his friend arrow.

Cannes. Headed by FIPRESCI General Secretary Klaus Eder, a jury of critics will award the Cannes FIPRESCI Prize to a film each in the international competition, in the "Un Certain regard" section and in the "Directors' Fortnight / Critics' Week". arrow.

 

 



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Latest Critics' Prizes

Nights with Théodore
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San Francisco: "Nights with Théodore"
(Sébastien Betbeder)

Ankara. "Cinema can be full of joy", writes our jury about the winner of the Critics' Prize at the "Flying Broom International Women's Film Festival" (in the Turkish city of Ankara), Queen of Montreuil, directed by French Solveig Anspach. More arrow.

San Francisco. Our jury awarded the Critics Prize to "Nights with Théodore" by Sébastien Betbeder. "With a bold and inventive take on narrative and structure, this beguiling and truly original film is a glowing testament to a new generation of French filmmakers" states the jury. More arrow.

Oberhausen. The traditional festival (Germany) offered an overview on the recent situation of the short film genre. More arrow.

Independent Cinema is featured in the festivals of Buenos Aires (Argentina, BAFICI) and Krakow (Poland, OffPlusCamera). More about Buenos Aires arrow. / More about Krakow arrow.

Wiesbaden. The goEast Film Festival offers a wonderful overview on eastern European cinemas, which recently became highly interesting again. More arrow.

Istanbul. Costa-Gavras, Peter Weir, Carlos Reygadas were among the guests of the festival's 32nd edition. Bruno Dumont's Camille Claudel 1915 won the FIPRESCI Prize. Interesting was the overview on recent Turkish films, made up, to a big part, by young filmmakers. More arrow.

Lecce. At the Festival of European Cinema in the south Italian city of Lecce critics discovered the emergence of a promising new director, Turkish Elif Refig (Ships). More arrow.

Hong Kong. The international festival is particularly worth attending because of its diverse selection of Asian films. Our jury discovered a young Georgian movie, In Bloom, which could signalize after a long crisis the rebirth of Georgain cinema. More arrow.

Fribourg. "Like five games of chess in one" describes our jury Kiyoshi Kurosawa's Penance, the winner of our prize at this festival dedicated to the cinemas of Africa, Asia and Latin America. More arrow.

Devil's BrandyToulouse. The meeting point of Latin American cinemas offered a wonderful overview on the recent production of the continent. Photo: FIPRESCI-Prize winning film The Devil's Liquor by Chilean Ignacio Rodriguez. More arrow.

Thessaloniki. The Documentary Film Festival in the Greek city presented an overview on recent international docs and focused in particular on new Greek documentaries. The critics jury headed by Canadian Peter Wintonick awarded They Glow In The Dark directed by Panagiotis Evangelidis, and Parts Of A Family directed by Diego Gutierrez (a Mexico-Netherlands co-production). More arrow.

Sofia. A Romanian film was liked most by the critics attending this major Balkan festival: A Month In Thailand by Paul Negoescu. More arrow.

Guadalajara. The Mexican festival went first time without a Mexican competition and focused on Ibero-American films (and offered a Nordic Panorama). Brazilian filmmaker Marcelo Gomes won the Critics Prize (Once Upon A Time Was I, Veronica). More arrow.

Cartagena. Our jurors enjoyed the colombian festival directed by the enthusiastic Monica Wagenberg. She honored Harvey Keitel and Julio Medem with tributes. Paul Schrader and Raoul Peck got retrospectives. More arrow.

Göteborg. The Göteborg IFF is not just Scandinavia's biggest film festival; it also boasts one of the most lucrative film prizes in the world. Our FIPRESCI jury awarded Danish Northwest (Nordvest) by Michael Noer "for its solid acting performances and its balanced and realistic portrayal of a young man's descent into a criminal world." More arrow.

Rotterdam. In The Netherlands the FIPRESCI jury admired Alberto Gracia's radical and audacious desire to capture the world as seen through the eyes of a legendary rebel madman. Mysterious and bravely resisting any amount of words to precisely describe what he's achieved on screen, Gracia's work is both meticulously structured and yet as untamed as a dream in the deepest dark of night. The FIPRESCI prize went to The Fifth Gospel of Kaspar Hauser (O quinto evanxeo de Gaspar Hauser). More arrow.

Earlier Festivals arrow.

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Fight for a Theater

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Demonstration.
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On Sunday, April 14, another meeting was organized to protest the destruction of the historical Emek Theater in Beyoglu, Istanbul — meeting called by Turkish film organizations and institutions. See the declaration of FIPRESCI. The award ceremony of the 32nd Istanbul Film Festival, the same evening, became a profession of sympathy for the Emek.

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Award Ceremony.
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In Memoriam

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Roger Ebert.
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Roger Ebert
Film critic, June 18, 1942 — April 4, 2013.
"There never will be agreement on whom the best film critic is, or was", writes Jay Carr in his obituary. "But there can be no disagreement that the most popular and best-known among the breed was Roger Ebert... His reviews, no matter the medium delivering them, were clear, jargon-free, direct, accessible and above all passionate. His writing was fluent, unforced, conversational..."
Jay Carr on Roger Ebert arrow.

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