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Dracula did not come…

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Filming War Without Showing It: An Interview with Zhanna Ozirna

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Various Approaches, Production Frameworks and Narrative Strategies: Notes on the Competition Films

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Thanks For Nothing gives Filmfest München a great coming-of-age story

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TIFF’s strong international connections and national highlights: The most important platform for Romanian cinema

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Forever Crossing the Rubicon: Alexandra Makarová’s Perla

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The Mysterious Gaze Of The Flamingo: The Love That Resists in the Gaze

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Twelve Moons: When Structure Crumbles

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At the Edge of Belonging

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Lima in Rock: An Interview With Germán Tejada About His First Feature The Innocents

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Merman, or the fragmented memories of a composer in communist times

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Kyrgyz Cinema at the Bishkek Film Festival

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Review: Joqtau

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Gender Roles and Film Criticism

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Apollon by Day Athena by Night: I See Dead People

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SERVANT

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Capitalizing on stubborn determination

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With or Without You (dear voice over)

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The Propagandist and The Big Chief

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Masterful Mountain Madness at the Break of the 20th Century

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The Great Denial: How Three Movies in Cannes Depicted AIDS From a Teen Perspective

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The Oppressive State in the Past and Present, as Reflected in Four Films in the Competition

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Women Filmmakers in Cannes: Female Stories, Directors, and Industry Perspectives

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Urchin: A Character Study of Addiction and Fragile Masculinity

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Planètes [Dandelion’s Odyssey]–A Poetic Cartography of Creation Beyond Collapse

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