Warsaw 2021

  • The FIPRESCI Warsaw Critics Project 2021

  • Luka Vlaho’s Review on “Hive”

  • Anna Sołowiej’s Review on “Meeting Point”

  • Anna Sołowiej’s and Antoni Konieczny’s Interview on “The Herd”

  • Nikola Jović’s Review on “In Limbo”

  • Antoni Konieczny’s Review on “The Hill Where the Lionesses Roar”

  • Maria Tokmasheva’s Review on “I am Fine, Thanks”

  • Dora Leu Reviews “The Herd”

  • Kirill Razlogov passed away

  • Venice Film Festival 2021: Critics’ Poll

  • Buddhadeb Dasgupta 1944-2021

  • Young Film Critics 2021

  • Quirky and Light-Hearted

  • Interview with Newsha Tavakolian

  • The Need for Femme-Powered Films

  • From Japanese Anime to Silent Film Scores

  • Beyond Self-Censorship, Binarism and Wifi

  • BUMA Composer Federico Solazzo on Building…

  • Intertwining Art and Activism Across the Mediterranea

  • Like a Well-Oiled Machine

  • Composing Intuition (In the Time of Corona)

  • The Untold History of Indonesia

  • An Intermingling of Sex, Desire and Food

  • Changing Soundscapes

  • Filmmaking as an Architectural Endeavor

    • Social media



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