The FIPRESCI Warsaw Critics Project will take place during the 40th Warsaw International Film Festival, which runs from October 11 to 20, 2024. The training workshops for young critics and…
Crisis of meaning
by Evgenija Arsova
A luxurious house that is equipped with everything to meet one’s desires, and yet never really felt like home. Well-dressed people with overflowing…
Review of Where Do We Begin, dir. Monika Majorek, 2024
by Andy Stoeva
The VHS rumbles, digesting your memories. Suddenly a familiar face – your own, looks back at you…
An interview with the director and line producer of Wet Monday by Volodymyr Chernyshev, Evgenija Arsova and Pavla Banjac
Justyna Mytnik and Luiza Skrzek: “We didn’t want to make an…
Water Under the Bridge
Review of Wet Monday by Andy Stoeva
Justyna Mytnik’s Wet Monday is full of Easter eggs; and that does not mean there are plenty of clever…
The Silence of The Girls
A review of Tomorrow I Die by Pavla Banjac
A car stops in the middle of the woods. Beastly howls echo through the star-lit branches.…
Annihilating Distance
A review of Bucha by Volodymyr Chernyshev
Every film is an enriched piece of literature, and all literature is a grandiose act of myth-making. The fairy tale—exalted sublimation…
Limping society
a review of Toxic by Tobiasz Dunin
Marija (Vesta Matulyte) stands alone in the frame in the locker room. She is wearing a swimsuit as she listens to…