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On Film Criticism
• A third language to write about Third Cinema By Maja Korbecka • Film Criticism as a Migratory Practice, or Why We Are All Immigrants By Savina Petkova •…

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Reviews, Part 1
• Finding Yourself – Hair Dye After Air Dye By Jakob Åsell • Cultural Trauma Through the Generations By Debbie Zhou • Where Life Though Joyless Still is Calm …

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Reviews, Part 2
• Kelly Reichardt’s Secret Ingredient By Sadia Khalid • Friendship That Sticks By Savina Petkova • Oh Lord, won’t you buy me…? By Rodrigo Garay …

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Letters from Berlin
• A Revolutionary is a Doomed Man By Adina Glickstein & Rodrigo Garay • Undine Loves By Savina Petkova & Debbie Zhou • Cow Theft and Video Games …

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Essays, Part 1
• Do stuff and get more money for it all the time: two films on labor, fifty years apart By Adina Glickstein • Owning the Story: Authenticity and Authorship By Debbie…

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Essays, Part 2
• Places of Individuality in Chinese Cinema at Berlinale 2020 By Maja Korbecka • The True Colors of Latin American Tricksters By Rodrigo Garay • Transcending the Race Barrier…

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Talent Press Rio 2019 Pedro Butcher (Coordinator) A journalist and film critic, Pedro Butcher has worked for leading Brazilian newspapers and is now a freelance contributor to Valor Econômico. From…
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