Interview with the producer, Ekaterina Filippova Interview with the director, Petr Levchenko Interview with Ekaterina Filippova – Producer of "The Curator" By Svetlana Semenchuk Presented at the Warsaw…
"Cat in the Wall" Immigrant Song: Mileva and Kazakova’s Unflinching Look at Xenophobia in Britain After two controversial documentaries that didn’t even circulate in their native Bulgaria, filmmakers Mina…
Story of Voyeurism: Ignas Jonynas’s "Invisible" doubts an Identity Lithuanian director Ignas Jonynas’s 2019 film Invisible revolves around Jonas (Dainius Kazlauskas) who fakes blindness to enter…
Ticking Clocks of New Romanian Wave: Liviu Săndulescu’s Debut Carturan In his feature debut Liviu Săndulescu delivers a candid conversational drama centered around a Romanian citizen confronted with…
A Review of The Pig by Oleksandra Povoroznyk Dragomir Sholev’s The Pig throws you headfirst into the smelly locker-rooms, noisy cafeterias and claustrophobic bathrooms of your past – even…
Our Little Poland by Matej Bobrik Reviewed by Lemana Filandra Reviewed by Svetlana Semenchuk
Our Little Poland A possibility for finding a shared sense…
The FIPRESCI Warsaw Critics Project has returned to the 35th Warsaw International Film Festival, which runs from October 11 to 20, 2019. The training programme for young critics and film…