Inner Realities / Outer Spaces in New German Cinema By Alonso Díaz de la Vega
Around the late 1960’s something happened in Germany. It happened along the droning sound…
Alonso Díaz de la Vega, Finding The Self In Space And Form Heitor Augusto, Delicate Issues, Unfulfilling Execution Michael Guarneri, Peter Zeitlinger: Dancing with the Camera Oris Aigbokhaevbolo, Another Type…
Ana Sturm, Nobody Wants The Night – Artistically empty and stereotypical portrait of naive female explorer – Ana Sturm, Sometimes Things Are just Bad …
Alonso Díaz de la Vega, “Herzog in Love” Julia Cooper, “Dashboard Dispatches from Iran” Michael Guarneri, Not Your Typical “Portrait Of The Artist” Monty Majeed, On a Quest for Black…
Oris Aigbokhaevbolo Oris Aigbokhaevbolo is a film critic living in Lagos, Nigeria. He has worked with the European Film Festival; iREP Documentary Film Festival; Lights, Camera, Africa and other…
By Sergio Huidobro
In last year’s Berlinale Competition film “Eisenstein In Guanajuato” (UK, Mexico, 2016), director Peter Greenaway recalls the ten day visit that Soviet film pioneer Sergei Eisenstein…
By Isabella Akinseye
Rich in diversity and intercultural relations, three films at the 66th Berlinale program are metaphorical for their protagonist’s dilemmas and identity crises. Three young men stranded…
By Rasha Hosny
This year’s Berlinale features a special interest in refugees and migrants from around the world. Encouraging festivalgoers to engage with this global crisis, Festival Director Dieter…
By Elizabeth Chege
An exploration of the mind as a sanctuary and a prison at Berlinale.
What would your demons look like were you to encounter them in worldly…
By Ruben Demasure
“Shadow,” said he, “Where can it be – This land of Eldorado?” (Edgar Allan Poe, “Eldorado”, 1849)
While critics mine film festivals for hidden or sometimes…
The Shape of Our Inner Fears, by Elizabeth Chege A Romanticized Attachment to Home, by Isabella Akinseye Depicting the Refugee Crisis, by Rasha Hosny Digging the Past, by Ruben Demasure…