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Agniezka Holland: On Hunters and Netflix By Rowan El Shimi One of Europe’s most prominent filmmakers, Agniezka Holland has quite a frank and dry sense of humour. Her sharp…

The Courage To Fail By Petra Meterc Editing as an Act of Killing By Richard Bolisay Style Is The Answer By Asli Ildir The Courage To Fail By Petra Meterc…

Political repression lies in people getting scared of a story By Rowan El Shimi Footage Rights By Héctor Oyarzún Pictures From The Revolutions By Christopher Small What An Empty Promise…

Evicting History By Adefoyeke Ajao Open Wound By Archana Nathan The Enemy Imperfect By Asli Ildir Up Down Fragile By Christopher Small Freedom oasis By Héctor Oyarzún Growing up in…

  The Talents 2017: Selfies Participants at the 2017 Talent Press Workshop, at Berlinale Adefoyeke Ajao, Nigeria Archana Chidambaranathan, India Asli Ildir, Turkey Richard Bolisay, Philippines Christopher Small, UK Héctor Oyarzún, Chile Petra Meterc, Slovenia Rowan Abdelrahman Ahmed Mahmoud…

Uprooted, Fenced-in By Yasmine Zohdi Fewer Taboos, More Opportunities An interview with Gus van Sant By Lilla Puskas Rio de Janeiro as a Transvestite By Kennith…

What We Talk About When We Talk About Death By Carolina Iacucci The Eternal Transit Space By Domoina Ratsara A Fun Ride …

The Talents 2018 present themselves and talk about the situation of film criticism in their countries. A Fragmentation of Cinematic Waves Is the Main Challenge of Italian Film Criticism …

Does the Berlinale Have a Nollywood Problem? The bustling Nigerian film industry – popularly known as Nollywood – is one of the largest film industries in the world, at least…

Of Alibis and Shields: Rhetorical Filmmaking and the Role of Criticism Everyone who has experienced the atmosphere of a major film festival in recent years can testify: rhetoric is all…

Call Me By My Body “One of the most challenging misconceptions that thwarts filmmakers from being able to portray female desire in a way that is seeped in authenticity,…