Marco D’Agostino

I’m an Italian film critic. I’m currently working with Nocturno, an Italian magazine primarily focused on genre-cinema. Through my work with Nocturno I covered the most important european festival, including Venice and Berlin.

My main focus of interest is experimental cinema and the intersection between cinema and other media (the object of my thesis for my Bachelor’s degree in Cinema was a dissertation on the contamination between the language of cinema and the language of the music video). I’m part of the press office of Stop e-Motion Days, the only festival in Italy entirely focused on stop-motion animation.

I’m also part of the team of Kino-Otok Izola Cinema where I lead discussions about movies with young cinema students partecipating in the Young programmers project.